Land of the Temporary Eternity
Land of the Temporary Eternity
Land of the Temporary Eternity
Land of the Temporary Eternity
Land of the Temporary Eternity
Land of the Temporary Eternity
Land of the Temporary Eternity

Land of the Temporary Eternity
Ben El Halawany, Kahyan Mac
德国

学生组全场大奖 学生组出版物设计类别 金奖
视觉传达类
MDA澳门设计大奖
2018
"暂时的永恒之地 "是一份关于斯图加特市前非空间 "Lotte "的出版物。这个场外空间举办过展览、表演、讲座、演讲、音乐会和研讨会。这里也是一个简单的聚会、享受生活、进行讨论的地方,也是斯图加特创意社区的一个重要聚会点。本书记录了在其5年生命期内举办的所有这些活动。这本书一方面作为一个档案,记录了那里发生的一切,另一方面也给读者提供了一些幕后的知识,甚至更多的信息,比如周边地区的变化,以及为那里的活动发明的鸡尾酒配方。 这本书采用了四色胶印,封面上还使用了额外的银色专色。选用银色是为了给这本书一个喜庆和永恒的外观。印刷和装订是与斯图加特ABK和斯图加特HDM图书研究所合作完成的。 书中使用了两种字体。 Erik Spiekermann、Ralph du Carrois和Anja Meiners的 "FF Real "用于正文,Lucas Le Bihan的 "Self Modern "用于标题和排版细节。 由于这本书应该是一本可理解的档案,所以版面设计相对简单,有很多排版细节,帮助读者很容易了解书中的内容。 在每一个事件的网站上,读者可以很容易地找到事件的种类、发生的时间、参与者、合作机构以及可以找到更多附加信息的页码。

Land of the Temporary Eternity
Ben El Halawany, Kahyan Mac
Germany

MDA Prize Student Group Publication Design - Gold Award
Visual Communication Design
Macau Design Award
2018
“Land of the Temporary Eternity” is a publication about the former off-space “Lotte” in the city of Stuttgart. This off-space hosted exhibitions, performances, talks, lectures, concerts and workshops. It was also a place to simply get together, enjoy life, have discussions and overall an important meeting point for the creative community in Stuttgart. All of those events that were held in its five year lifespan are documented within this book. The book serves on the one hand as an archive of everything that happened there but also on the other hand gives the reader some behind the scenes knowledge and even more information like for example changes and the surrounding area and recipes for cocktails that were invented for events there. The book was printed in four color offset with an additional silver spotcolor that was also used on the cover. The silver was chosen to give the book a festive and eternal look. The print and bookbinding was realized in cooperation with the Book Institutes of ABK Stuttgart and HDM Stuttgart. Two typefaces were used for the book: “FF Real” by Erik Spiekermann, Ralph du Carrois and Anja Meiners was used for the main text and “Self Modern” by Lucas Le Bihan for headlines and typographic details. Since the book should be usable as a comprehensible archive the layout is relatively straight with a lot of typographic details that help the reader to get an easy overview about the books content. On every site of an event the reader can easily spot the kind of event, the time it took place, participants, cooperating institutions and page numbers where they can find even more additional information.

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